Confidence is a hell of a drug—tell good stories.
Mathew Johnson • White Unicorn Agency
The National Student Show and Conference (NSSC) is a well-known and recognized three-day conference that celebrates and supports the next generation of creative professionals. It features a national design competition, awarding $20,000 in scholarships and prizes, keynote speakers, breakout sessions, workshops, portfolio reviews, networking, and tremendous camaraderie among professionals, educators, and students.
For many designers around the nation, the NSSC is a reunion, a competition, and a strong tradition for others. This is the second time my Baylor Bears heard and participated in NSSC. However, more design entries were accepted this year, and more students attended this wonderful conference, which is fantastic and encouraging. In Baylor’s Department of Art & Art History—graphic design specifically—the excitement and big commotion began with the notification that eight design pieces were selected as finalists in the 2025 National Student Show and Conference—meaning eight pieces from courses I teach at BU had already won. The recognized works included one branding system, two packaging designs, three advertising campaigns, a single advertisement, and a guerrilla marketing installation.








The first day in Dallas started with a session with Clampitt Paper, where students had the chance to meet Mr. Clampitt himself—the CEO of the only independent paper merchant remaining in the Southwest. The highlight for many students was the vast array of swag, paper samples, educational materials, printed samples, notebooks, and pencils, which added a tangible excitement to the discussions about paper.
Around noon, three buses full of energized students representing universities from different parts of the country headed out to visit prominent design studios, full-service agencies, and leading industry providers—such as commercial printers. These businesses generously opened their doors to discuss their work, processes, and clients with students. As a designer, it is always a joy to see excellence in design work and admire what other designers create and what printers are producing—yes, the smell of ink still transports me to my infancy. As an educator, I find it a mix of nostalgia, hope, and empathy for the upcoming newer generation of creatives since I once was in the same spot as my students, sometimes clueless, others engaged, excited, and attentive, but wanting to eat and dream design all day. Witnessing my students’ excitement when entering the impactful and sometimes massive studios and businesses, talking with seasoned creatives, and seeing their work samples excite me about design and hope for our industry. It is like a fast battery recharge.
This year, the students had the opportunity to visit White Unicorn Agency, Blanks Printing, TRG Agency, Caliber Creative, Infinite, 3Headed Monster, Lerma Agency, Brodnax 21C Printers, and The Matchbox Studio. The world is a tiny little box full of surprises; during one of the studio tours, our Baylor students had the opportunity to meet the managing partner of White Unicorn Agency—a Baylor alumnus who eagerly and welcoming helped to break the ice and quickly connected with them.
After an exhausting day full of adrenaline, we shared dinner and our first-day reflections on all the great design work we witnessed; additionally, there were also some random failed attempts to start a food fight.




Day two at the NSSC brought many invaluable learning opportunities and out-of-this-world excitement. Baylor graphic design students sought advice during the four hours of portfolio reviews, enjoyed the keynotes, attentively took a lot of notes, laughed, and eagerly participated in all the breakout sessions and workshops—they had an amazing time. Some even got free Fossil watches while learning about in-house design teams.
They also had the opportunity to learn from seasoned and global designers, such as Diego Guevara, the Design Director at Nike Global Sports Apparel and a proud immigrant from Ecuador who works with different sports and Olympic athletes. The second keynote speaker on Friday evening was Natalie Armendariz, the Co-Owner and Design Director at Funsize, a digital agency with roots in storytelling. Natalie worked for FJORD and R/GA before founding Funsize, where she designed for clients such as Verizon, Formula1, AT&T, Citibank, and the NFL.
A big night for my Baylor bears; with great anticipation and excitement, Friday’s activities ended with the NSSC’s Pin and Special Awards ceremony for 2025. Four students were finalists with eight very strong design pieces; however, CJ Kaltwasser has set a very high bar while bringing home—not one, two, or three—but four Special Awards and beautiful commemorative special editions and unique trophies. CJ’s work was honored with a Best of Advertisement for Public Service Award (PSA) and a Best of Advertisement (Print) Award. In addition, he also won the Brandon Murphy’s [Caliber Creative] Judge Choice Award and the Jeff Barfoot’s Best Concept Award, each accompanied by a $500 scholarship and a commemorative limited-edition trophy.
A wonderful night with unprecedented results for Baylor University!



After all the adrenaline from Friday night and well-deserved celebrations, Baylor students arrived for the last day of activities, where they participated in more intimate settings, workshops, an emerging creatives panel, and two more keynotes. The first, Zipeng Zhu, a Chinese-born artist and designer residing in New York and teaching at the School of Visual Arts, shared his experience in design, experimental typography, vibrant use of color, and mind-blowing animations. As with most workshops this weekend, they reinforced some of the design industry practices taught at school and provided the students with more significant insights on navigating the workforce during their first hiring opportunities.
Other workshops about paper, photography, traditional watercolor illustrations, systems thinking in branding, creative processes, and things typically not taught at design schools were also part of Friday’s activities. I wish I was able to multiply, but I got the opportunity to listen White Unicorn, Trace Element, and Caliber Creative, and all went above and beyond explaining design industry practices—providing students with invaluable insights. The Collins Agency closed the night and this year’s conference with an insightful, different, and incredible presentation about their approach to research, discovery, branding, storytelling, and agency culture; it was mind-blowing and energizing for everyone in the room. Learning about their process and results for Target and Bose re-alignment and new branding was pure gold.





Attending these types of conferences is reaffirming, encouraging, and very insightful. I get refueled, my cup fills up, and my brain takes several days to stop spinning at more than 120 mph. I always want to get back to the classroom so I can put into practice more crazy projects and ideas so my students continue to thrive and, more importantly, get them excited about the graphic design industry. Of course, I also get encouraged to continue designing and creating. As far as my students, it is a joyful and proud moment to witness them grow, participate, engage, get excited about design, build strong bonds and camaraderie, riding together, and even stopping at Buckee’s. Spending time with my students outside the classroom is always energizing and builds strong bonds and friendships. As every year, the conference was a transformative experience, and their competitive nature, I am sure, will kick in even before returning to Waco.
Furthermore, reflecting on last year, the students who made it to NSSC 19 shared with their peers their experience and everything they learned, and as predicted, it spread like wildfire; consequently, we had wonderful and unprecedented results this year.
- I strongly believe designers have a bright future, regardless of technology, as long as we embrace it, remain curious, base our solutions on research, design foundations, and craft great stories.
- It is okay to reinvent yourself, especially as a designer.
- The concept is still king, time after time; the recognized work and memorable design are always the strong concepts.
- Design can change the world—literally. To do that, we must constantly remind ourselves that we are problem-solvers, and our work may raise awareness and provoke action.
- I agree with my students, who coined the phrase, “Design is too legit to quit.”
- I found my lost twin; we were separated at birth—IYKYK.
This experience would not have happened without the continuous support of volunteers, designers, and leadership who invested their time to give back to their community and industry, in this case, to DSVC and NSSC. Which is a great example for new generations to engage, participate, and help. My students would not have been able to attend the conference without the continuous support of my Department Chair, Heidi J. Hornik, Ph.D., colleague Professor Virginia Green, and Baylor University Office of Engaged Learning.
Keelan, Maci, Karen, Abigail and Abigail, Katy, Ashley, Soph, Nick, CJ, Aurora, Ally, Makenzie, and John Mark, thank you for such a great time!
Teaching what I love and loving what I teach.




